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{"id":1451,"date":"2015-03-29T20:23:07","date_gmt":"2015-03-30T00:23:07","guid":{"rendered":"http:\/\/courses.shroutdocs.org\/his245\/2015\/03\/29\/daguerro-typical-dickinson\/"},"modified":"2015-03-29T20:23:07","modified_gmt":"2015-03-30T00:23:07","slug":"daguerro-typical-dickinson","status":"publish","type":"post","link":"https:\/\/courses.shroutdocs.org\/his245\/2015\/03\/29\/daguerro-typical-dickinson\/","title":{"rendered":"Daguerro-\u201ctypical\u201d Dickinson"},"content":{"rendered":"<p><span style=\"font-style:italic;font-size:16px\">By  <a class=\"colorbox\" href=\"http:\/\/his245.alechemy.org\/private\/daguerro-typical-dickinson\/\">Alec<\/a><\/span>  <\/p>\n<p>I am a bit skeptical of Adam Frank&#8217;s primary argument that \u201c[Emily] Dickinson&#8217;s writing \u2026 registers and theorizes experiences of looking conditioned by photographic materials\u201d, if only because I felt that he was was occasionally grasping at straws to make ties between photography and Dickinson&#8217;s life and to find references to photography in her writing. That said, I was completely onboard with and intrigued by Frank&#8217;s observation that the physical qualities of technologies mold the ways that we use and interpret them. He notes that the daguerrotype, a metallic precursor to the paper-printed photograph, was necessarily reflective and thus \u201callow[ed] the viewer to see his or her own image superimposed over the photographic one\u201d. This quality, he later argues, offered to its viewers a material hybridization of the \u201cCalvinist requirements of self-examination and witnessing with sentimental sincerity and transparency\u201d and thus supplemented the changing concept of \u201cthe self\u201d during this time period.<\/p>\n<\/p>\n<p>This notion that a technology&#8217;s physical attributes can direct us toward certain values and sentiments is a powerful one, and holds true for just about every object. It makes sense, after all, that the way we hold\/view\/use an object will probably affect how we feel about it. Letter-writing, for example, is made even more personal by envelopes that require the sender&#8217;s own saliva for the seal. A thick, printed newspaper suggests a certain standard of journalism not typically associated with blogs or websites. Red sports cars evoke a sense of speed and adventure; station wagons, not so much.<\/p>\n<\/p>\n<p>In some cases these physical attributes are an intentional effort on behalf of the designer to evoke a certain emotion or idea in its users. Red paint doesn&#8217;t make a car drive any faster, nor does it dictate how a person uses the car \u2013 but the psychological suggestions are probably enough to convince many to drive a bit faster, and for onlookers to make certain judgments about the driver&#8217;s lifestyle. In other instances, this effect seems more a product of happenstance and\/or practicality. For example, I would guess that the mirror-like quality of the daguerrotype was more a product of technical limitation than a conscious attempt at creating a print that reflected its user. In any case, I know that this topic of connecting the tangible and material qualities of an object to its immaterial, intangible qualities ones is a relatively small topic in Frank&#8217;s essay, but it&#8217;s a notion that I&#8217;m completely fascinated by, and plan to continue to look out for in other technologies we discuss in this course.<\/p>\n<\/p>\n<p><span style=\"margin-left:10px\"><a href=\"http:\/\/www.facebook.com\/sharer\/sharer.php?u=http:\/\/his245.alechemy.org\/private\/daguerro-typical-dickinson\/\"><img decoding=\"async\" src=\"http:\/\/courses.shroutdocs.org\/his245\/wp-content\/plugins\/wp-rss-multi-importer\/images\/facebook.png\" \/><\/a>&nbsp;&nbsp;<a href=\"http:\/\/twitter.com\/intent\/tweet?text=Daguerro-%E2%80%9Ctypical%E2%80%9D%20Dickinson%20http:\/\/his245.alechemy.org\/private\/daguerro-typical-dickinson\/\"><img decoding=\"async\" src=\"http:\/\/courses.shroutdocs.org\/his245\/wp-content\/plugins\/wp-rss-multi-importer\/images\/twitter.png\" \/><\/a>&nbsp;&nbsp;<a href=\"http:\/\/plus.google.com\/share?url=http%3A%2F%2Fhis245.alechemy.org%2Fprivate%2Fdaguerro-typical-dickinson%2F\"><img decoding=\"async\" src=\"http:\/\/courses.shroutdocs.org\/his245\/wp-content\/plugins\/wp-rss-multi-importer\/images\/gplus.png\" \/><\/a>&nbsp;&nbsp;<a href=\"http:\/\/www.linkedin.com\/shareArticle?mini=true&amp;url=http%3A%2F%2Fhis245.alechemy.org%2Fprivate%2Fdaguerro-typical-dickinson%2F\"><img decoding=\"async\" src=\"http:\/\/courses.shroutdocs.org\/his245\/wp-content\/plugins\/wp-rss-multi-importer\/images\/linkedin.png\" \/><\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Alec I am a bit skeptical of Adam Frank&#8217;s primary argument that \u201c[Emily] Dickinson&#8217;s writing \u2026 registers and theorizes experiences of looking conditioned by photographic materials\u201d, if only because I felt that he was was occasionally grasping at straws to make ties between photography and Dickinson&#8217;s life and to find references to photography in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-1451","post","type-post","status-publish","format-standard","hentry","category-private","post-preview"],"_links":{"self":[{"href":"https:\/\/courses.shroutdocs.org\/his245\/wp-json\/wp\/v2\/posts\/1451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.shroutdocs.org\/his245\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courses.shroutdocs.org\/his245\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courses.shroutdocs.org\/his245\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.shroutdocs.org\/his245\/wp-json\/wp\/v2\/comments?post=1451"}],"version-history":[{"count":0,"href":"https:\/\/courses.shroutdocs.org\/his245\/wp-json\/wp\/v2\/posts\/1451\/revisions"}],"wp:attachment":[{"href":"https:\/\/courses.shroutdocs.org\/his245\/wp-json\/wp\/v2\/media?parent=1451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courses.shroutdocs.org\/his245\/wp-json\/wp\/v2\/categories?post=1451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courses.shroutdocs.org\/his245\/wp-json\/wp\/v2\/tags?post=1451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}