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I chose to read the first chapter of Typhoid Mary, “The Rigorous Spirit of Science: The Triumph of Bacteriology,” in addition to the introduction, for a myriad of reasons. Firstly, I hate picking up a book mid-way through, and having to figure out for myself what went on in the previous chapters. More importantly for my research, this chapter dealt with the larger ideas and views of disease in the late 19th and early 20th centuries. While this predates my research on the Spanish Influenza, it provides vital information about the state of public health infrastructure leading up to the pandemic.
The Rigorous Spirit, chapter one of Leavitt’s book, traces the development of science, bacteriology, and the way that disease was handled at the turn of the 20th century. She outlines the development of the germ theory of disease and the way that it affected the way that public health was addressed in the US, notably by a shift away from physical duties (street cleaning, sewage systems) and to a system centered on laboratory research (trying to isolate and find cures for various diseases). She goes on to outline in broad terms the life of Mary Mallon, the so-called ‘Typhoid Mary’ of popular culture today.
Leavitt’s book opens much like Gina Kolata’s Flu: The Story of the Great Influenza Pandemic of 1918 and the Search for the Virus that Caused it, a book a reviewed earlier in the semester for this class. This similar opening of both books encourages a discourse between them, which upon closer inspection are strikingly similar: they focus on a medical disaster and society’s attempt to contain and explain it. What other links can we draw between these two disasters, less then 15 years apart, and what can we learn from these links?
AJ’s post is thought provoking. Looking at the items offered for sale at the auction, I can’t help but think about the people behind them, and the tragedy that made a piece of wood worth $100,000. We can find out so much about the Titanic passengers from these items, and this value is lost when they are put in private collections, away from public view.