A Fragile Environment


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The video “The Plow that Broke the Plains” places a clear emphasis on the human role in the Great Plains disaster. Nate rightly suggests that there are both natural and manmade elements to this disaster. The narrator repeats phrases such as “high winds and sun” throughout the film, clearly suggesting that the editors and directors of the film believed that the fragility of the Great Plains made the Dust Bowl disaster predictable.  In this way, the makers of the film implied that man essentially set himself up for disaster by settling on a dry land with “little rain” and “high winds and sun.” When put that way, it doesn’t seem that surprising that the plains dried out.

This argument relates back to one our previous class discussions about settling in places that are prone to natural disaster, such as San Francisco. When people choose to settle in fragile or unstable locations, and then in this case change their environment, are they setting themselves up for disaster?

The makers of this film seem to believe that that is the case. They trace the narrative of capitalism in relation to the Great Plains. Demand for wheat increased significantly with World War I, taking a great toll on the Great Plains. Newspaper titles flashed across the screen reiterate the human role in the Dust Bowl Disaster, as the war was clearly a result of mankind.

Film provided a new method of propaganda that had the unique ability to utilize visual imagery as well as sound to convey meaning. The newspaper titles, narration, as well as music all serve to echo the argument of this film.

“Seismic Denial’s” Ripple Effect


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A theme common to both Steingburg and Davis’s articles is the role of man in both causing and intensifying the effects of natural disasters.  In “Smoke and Mirrors: the San Francisco Earthquake and Seismic Denial,” Steinberg argues that the alliance between California’s business class and politicians served to redefine the San Franciscan earthquake of 1906 by placing the blame for the majority of the destruction on the ensuing fire.  As nakindig discussed in his post, this “seismic denial” was a common boosters, who popularized it in an effort to protect San Francisco’s image. In order to describe the effects of this “seismic denial,” Steinburg articulates the immediate changes in building codes after the 1906 earthquake and the subsequent easing of the building codes in later years. He argues that “such lenience stemmed directly form the conspiracy of seismic silence that remained a major preoccupation of San Francisco’s business community well into the 1920s” (Steinberg 112). Steinberg’s use of the word “conspiracy” reinforces his argument that the blame for much of the damage in later earthquakes should be placed squarely on the shoulders of man.

Steinberg also pulls in a class-power argument through his discussion of how “pyrotechnics of property destruction have eclipsed the truly deadly story”- that is, the unequal distribution of the earthquake’s damage on the population of San Francisco. Steinberg emphasizes that the poor and ethnic populations were more affected by the earthquake and likewise, more impacted by the “seismic denial.” The decision to undermine the role of the earthquake  in the decimation of San Francisco is responsible for the loss of even more lives (Steinberg 121).  This argument suggests that until building codes and other necessary preventatives were standardized and updated, deaths resulting from post-1906 earthquakes are essentially the responsibility of man and not nature.

Where’s the Fault?


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Throughout The Johnstown Flood, McCullough alludes to the roles that weak or inattentive authorities played in the flood. He suggested that the South Fork Fishing and Hunting Club ignored reports that the dam was weak and a danger to the population (74). Additionally, he  repeats throughout the novel that people were desensitized to the possibility of the dam breaking and therefore many authorities as well as civilians discounted reports that there could be or was a problem. McCullough essentially suggests that if authorities had perhaps taken more care in prevention, this entire disaster could have been circumvented.

As the action escalades through chapters 4-6, McCullough readdresses the role of effective and ineffective authority figures in a blatant juxtaposition of the management of two trains at East Conemaugh Yard. McCullough states that the only train to have “no fatalities among its passengers” was the mail train, which was due in large part to the “good sense of the crew” (123). In fact, the conductor of the mail train warned the passengers of the potential danger, giving them the opportunity to prepare for escape. McCullough states that “Warthen… at least made it sound serious” to the people onboard as opposed to the other authority figures who said “that the dam was an old chestnut” and that the people were “not to think any more of it” (123).

McCullough is clearly highlighting the differences effective authority figures can make through his in-depth comparison between Warthen’s decisions  in the midst of the disaster as compared to the rest of the conductors. His detailed comparison between the two as well as his repetition of the preparedness of the mail train’s passengers emphasize his belief in the power authorities have in natural disasters.  Catherine also mentions the role authorities have in disaster prevention and management in her post.

As we discussed previously in class, it is important to keep in mind that neither man nor nature can be isolated as the cause of a disaster. Rather it is almost exclusively the interplay between these two characters that allows disasters to occur.

Disaster Boosterism and Fear of the Poor


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Carl Smith’s intense analysis of the narrative which formed around the Chicago fire in its aftermath is both fascinating and telling. I think it is, perhaps, an even more revealing analysis than any direct analysis of the fire might be, because the particulars of his investigation expose the thoughts, fears, and culture of Chicago’s narrative-makers.

Clearly, we saw in Cronon’s work that Chicago possessed ample boosters. Yet, boosterism in the face of disaster might still be unexpected; yet, it persisted. To Chicago’s boosters, and indeed many of its citizens, the fire marked Chicago as a great city: “Greater than the catastrophes that consumed Rome, London, and other world capitals, the fire proved that Chicago and America had already surpassed or would soon supersede these other cities in all respects”(130). The logic feels backward, but perhaps it is sound. Indeed, only a significant city could have a disaster on the scale of the Chicago fire of 1871. This is likely true of many disasters; as we have discussed, disasters are the confluence of nature and humanity, with the human element emerging as a decisive division between disasters and events. Today, our public figures are quicker to mourn the losses than to highlight the silver lining of a disaster. Leaders in the Gilded Age, however, seemed to remain relentlessly positive in the face of disaster.

On the other hand, the fire brought to light the fear of social instability. The rhetoric that emerged from disaster posited that the ‘respectable’ elements had banded together, unified and determined to survive. The poor were the most significant losers, altogether. From one perspective, they were the malefactors and miscreants who encouraged and spread the fire, looted, raped vulnerable women, and inconsiderately occupied crowded spaces with the wealthy. From another, they were helpless: “Others among the poor died because they evidently lacked the character and resolve to save themselves, which was also why they were poor in the first place”(150). In this case, Smith is merely explaining the narrative that existed, rather than asserting the above himself. These two narratives seem contradictory: these helpless poor, unable to save themselves, were amply able to terrorize the respectable citizens already traumatized by the approaching flames. Displacing the natural horror of the fire with fears of social unrest likely served to reinforce existing social order, implying that through a control of the ‘less respectable’ citizenry, the elite and middle class might be more able to exert control over such uncontrollable events as fire.

I take a more cynical view of preserved and “natural” spaces, such as National Parks, than does Emily. I think that the preservation of these natural spaces is as much a part of the capitalist culture as anything else. National parks and outdoor spaces have been commodified within the ethos of our consumer culture. People drive to these “natural” spaces, spend a day there, bring their own food or purchase it their. Trips down rivers are often guided. My own extensive time spent canoeing Wisconsin’s beautiful waterways has sent me past as many riverside houses, park ranger stations, and farms as anything else. We consume this preserved nature in small doses, which we can easily control. It certainly has an inherent appeal; however, that does not extricate it from capitalism. Capitalism does not judge the things we consume, but makes them available in the most appetizing portions for our consumption. Natural spaces in America have been packaged and labeled for our consumption, and we suspend our knowledge that they are just as “unnatural” as Manhattan as we consume them.

The Difficulty in Defining What is “Natural”/”Unnatural”


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In reading Cronon’s Natures Metropolis, I was particularly taken by his contention that the boundary between what is natural and unnatural might not be as clear cut as is often thought. It seems that my classmates have taken particular interest in this same point, as everyone mentioned this notion to some degree or another in their blog posts. For me, having grown up primarily in large, urban cities, I have always seen rural life as separate and unfamiliar–perhaps even ignorantly, less “modern”. To then read Cronon’s take on cities forced me to think more deeply about how I view urban vs. rural spaces in relation to one another. Further, Cronon’s argument that, “City and country might be separate places, but [are] hardly isolated,” led me to consider whether cities and the country are truly independent spaces. As Cronon writes, “The more I learned the history of my home state, the more I realized that the human hand lay nearly as heavily on rural Wisconsin as on Chicago” (p. 7). Even further, cities and countrysides are quite interdependent. It is at this point where defining what is natural vs. unnatural becomes problematic.

I see the same issues in defining nature as in defining disaster. Wells brings up in his post Cronon’s idea of “First Nature” and “Second Nature.” I think these terms are helpful tools when discussing what is/is not nature. In my historiography paper, I discussed the vagueness of the word disaster and it’s potential to be problematic in the field of disaster study, but concluded (through examination of Bergman, Hewitt, and Biel) that it may not be that problematic after all. A changing/vague definition forces us to constantly reconsider the subject, perhaps leading to some new, previously overlooked, ideas on the subject.

Going now in a slightly different direction, I enjoyed Amani’s discussion of the morality of city and country. I think her question is a great one because there does seem to be a widely accepted notion that country represents the natural, which is better than cities which represent the unnatural. But if we consider Cronon’s argument that the two are interdependent, and that rural farms are not as natural as we might think, then this ascription of moral adjectives is no longer viable.

Divisible Yet Indivisible


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Coming from Long Island, New York I have been exposed to one of the largest and most prosperous cities in the world (unbiased of course). NYC shares many characteristics that Cronon describes Chicago to have that makes Chicago successful because both are located in central areas, surrounding bodies of water, and serve as central hubs that have easy access for transportation and natural resources. As many real estate moguls will tell you, location is key when choosing a place to live. The same goes for developing a successful city. Focusing on the history of Chicago and the arguments surrounding it, the city parallels with Turners understanding of the Western Frontier. By understanding the relationships of nature in Chicago, we can begin to understand the development of the west. In Eli’s post he accurately describes how Chicago served as a gateway to the west and through Cronon illustrates how Chicago came about as a result of the natural boundaries.

 

The most powerful part of the prologue of Cronon’s “Cloud over Chicago” was his focus both on the divisible and indivisible aspects of nature versus city. Beginning with a personal narrative of his first experiences of Chicago, he focuses on the grey smog, dense smell and awe that he felt as he passed through the city. Cronon emphasizes a lot on the descriptions of the city and he battles with the idea of natural versus unnatural. As an devoted environmentalist Cronon professes his initial dislike for the city of Chicago and how it was an unnatural place that clogged the rural west and deprived it of its natural beauty. However, Cronon comes to realize as he digs deeper into the history of Chicago and the surrounding area that his idea of natural farmlands and rural west had too been altered by the human hand. This brings me back to concentrating on Cronon’s dilemma with trying to separate farms and cities but realizing that there is greater interdependence then initially realized. A  quote that  portrayed Cronon’s struggle as an environmentalist and a realist is, “The boundary between natural and unnatural shades almost imperceptibly into the boundary between nonhuman and human, with wilderness and the city seeming to lie at opposite poles-the one pristine and unfilled, the other corrupt and unredeemed”(8). Many people and environmentalists believe this idea of the evils of the city in Cronon’s description, and analysis of Chicago he exposes an even greater relationship between humans and the world.

Closing the prologue Cronon faces the argument of city and nature. How we perceive Chicago in terms of nature is how we will be able to face the future of mankind, “whether we wish to ‘control’ nature or ‘preserve’ it- we unconsciously affirm our belief that we ourselves are unnatural. Nature is the place where we are not” (18). In saying this, It is undeniable that Chicago was able to succeed because of its natural elements that are particularly welcoming to the foundations of civilization. Chicago as a hub is important for the expansion of the west and our continuing development of understanding the Western Frontier.